Originally, The Story Game was created as a sub-game of The Party Game, which my friend S and I invented to entertain large groups of friends. Most aspects of The Party Game are irrelevant here, but the Story bit involved a gigantic hat into which the guests all placed their story prompts. By turns, the guests each draw out a prompt and tell a tale (tall or true) based on it.

Incidentally, if you're hosting a party soon and would like more details on the complete Party Game, shoot me an email and I'll explain. S and I tried to get it copyrighted by Milton-Bradley. Unfortunately, they weren't very receptive, so it's unlikely you'll see it on your toy store shelves any time soon. Their loss.

How to Play

The standard format for The Story Game is quite simple. You, the prompter, start with “Tell me a story that...” and give between one and three specifications for a story you'd like to hear. These are completely open-ended and may involve locations, actions, characters, events, or any other criteria you can conjure up. You may leave your prompts in the comments section of any of my articles or email them to me directly. When I receive them, I'll get straight to work weaving you an intriguing tale. When it's finished, I'll publish it here and, if possible, email a copy directly to you.

An Added Bonus

As an added bonus, every time you read a story, you can rate it in the comments section based on whether you think it is...

• Absolute, Gospel truth
• A delicate blend of fact and fiction
• Total bullocks

After a story has been posted for two weeks, I'll reveal whether or not it is true. I can't afford to give you prize money if you're right, but feel free to take bets with your friends. They have lots of money they're just aching to give you.

Suppose that after months of toiling away at my laptop I finally complete my first novel. It is a great story, a classic tale of innocence lost in American youth. My heroine is a young girl who spends most of her teenage years addicted to drugs and working as a prostitute. After a close friend dies of a heroin overdose she decides to pull her life together and eventually, after overcoming several major obstacles, she graduates at the top of her class from Harvard. I send the manuscript off to a publisher and a few months later I receive a phone call. They love the story; there is only one problem. They don't think it will draw interest as a work of fiction. Memoirs are what are hot in publishing right now. Audiences want to read true tales of heartache. Now they want to publish and market the book as a true story, with me playing the part of the reformed prostitute. Now, I have a dilemma. Do I sacrifice my integrity in order to put out what I am told will be a best-seller that will bring me fame and fortune, only to potentially lose my credibility if or when I am discovered?

Should I decide to risk my integrity, follow my publisher's advice, and turn my story into a “memoir”, it could be a big hit. My days as a struggling writer could be over. The publisher is promising me sales, and with those sales my rent is being paid, my needs are being met, and I get more work as a writer. However, if I am discovered as a fraud, not only is my reputation ruined, but I may lose my audience and I risk not getting work due to the controversy.

On the hand, I could tell the publisher no, take my book, and walk away, integrity intact and pockets empty. After all, there is always the possibility that another publisher will take it as is. Why risk my reputation? However, there is always the chance that by doing so, I will be missing out on my big break. So, what is a writer to do?

In my opinion, a person is nothing without integrity. Were I to choose to publish a fabrication as my own experiences I would not be true to myself. Not only that, but I would be cheapening and capitalizing in on the experiences of those who share commonalities with my characters. It is not fair to those who have actually lived through those experiences.

Even though it would be missing out on a potentially huge possibility, I know that I would not be able to publish a lie with my name on it. When reading a memoir, people feel a certain connection with the author. I could not sleep at night knowing that the person that my readers were sympathizing with was not really me. I had fooled them. It just would not be right, and for me at least, that is a fact.

Defamation ... slander ... libel. It doesn't take a rabbinic scholar to tell you that words have the power to wound, to destroy lives, careers, and legacies. Any writer dealing in non-fiction narrative, biography or autobiography needs to be aware of his or her legal responsibility in disseminating information about someone, living or dead, celebrity or common person. Even if the perceptions recorded are accurate, writers still need to protect their interests in the event of a libel suit.

Charges of libel used to be the purview of printed material, primarily news publications. Today, however, bloggers, people posting MySpace and Facebook rants and others publishing items on the Internet that can be seen globally need to be concerned with libel. Innocent people have been hurt by defamatory postings, and many have successfully sued. The First Amendment doesn't mean a writer can say anything; the right to free speech applies in the case of political speech (opinions), but does not protect the willful dissemination of false information.

The legal definition of libel is: “the publication and distribution of false information regarding an individual which is defamatory in nature, and has been published and distributed with malicious intent.” Subjects covered under the libel laws include allegations of criminal behavior, sexual or moral inappropriateness, or any allusions to a person's competency (or lack thereof) in their profession.

TRUTH AS DEFENSE:

The key words contained in this definition are “false information.” If a writer can establish that the information they have written and published is true, then they have made their case.

But “truth” is not necessarily an absolute, and there are steps every writer must take in order to get an audience - or a judge - to see things their way.

SOURCES:

The first is to have impeccable sources of information. Yes, everyone is flawed, but some flaws create larger credibility gaps than others. For example, Juanita Broderick's story of being raped by Bill Clinton was undamaged by her “flaw” of being involved at the time with another man while still married. The weight of her capacity as a successful businesswoman who was rational, down to earth and financially stable gave her an air of veracity. On the other hand, the publishing house which released - and soon retracted - the book, Fortunate Son, had depended heavily on the testimony of a drug user / dealer to support claims of President Bush's cocaine use. Drug dealers and users are known to be less than credible, and with no corroborating evidence, the story was built on very shaky ground.

EVIDENCE:

The second step is to verify all information with some sort of corroborating evidence. Public records, receipts, time cards, or any written evidence that comes from a source with “no horse in the race,” so to speak, are good backups for information received from a source. But take a lesson from Dan Rather, and be certain that any documentation has not been corrupted. At the very least, have more than one piece of evidence to support any allegations.

CONTEXT:

Finally, be sure you are accurate in describing the context of the behavior you are alleging. Recently, a judge successfully sued a television news team for libel. The reporter's editorial slant was that this judge was soft on crime, and had little empathy for victims. The judge did not refute the truth of the cases reviewed; however, he stated that the cases described in their news stories were aberrations, and that an overview of all the cases adjudicated in his courtroom presented a more accurate picture of his judgments and behavior. Everyone can have a bad day, and everyone makes poor decisions at some time. Playing the “gotcha” game without presenting the entire picture can only damage your credibility as a writer, and could possibly cost you more than your reputation.

“CELEBRITY” DOESN'T EQUAL “TARGET”

Public figures face the reality that they have fewer rights to privacy than an ordinary person. This doesn't exempt writers from doing their “due diligence” if a celebrity is their chosen topic. A good writer would never depend solely on the marketing fluff spun by a celebrity's publicist, but neither should they depend solely on information from the hairdresser, housekeeper, or gardener's cousin. Once again, good sources make a good story, and also protect the writer from legal action.

Any time your story involves real people, scan it for libel potential. The following checklist helps to identify potentially libelous information.

1. Does the material identify a person (living or dead) or an entity? This material does not need to actually name names - any behavior or description that makes clear to the reader the identity of the person or entity is potentially a problem. If the person is dead, their estate can bring suit against a writer for libel.
2. Is the person identified a private individual, a public person or celebrity or a political figure? Private individuals have more protection of their privacy under the law than do people who put themselves into the limelight. At the very least, the person being written about should be offered the opportunity to state their side of the story. If they refuse, that information can become part of the story, but the refusal, like other evidence, should be in writing or documented in some way.
3. Would the material negatively influence a reasonable reader's opinion of the person or entity identified? Would it reflect badly on the character of the person or entity? Would it damage the esteem in which that person is held in the community? More importantly, could it limit their earning capacity? The latter question forms the basis on which judges assess damages owed by defendants
4. Is defamatory information stated as a fact, an opinion, or in the form of a parody or caricature?
5. Does the evidence support the allegations? Is the evidence public information, such as speeding tickets, bankruptcy filings or the outcome of criminal proceedings, or is it private information, such as medical records or tax information? If it is private information, there will be questions as to the method in which it was obtained. The writer may avoid the libel charge, but may be charged criminally with more serious crimes.

The more “yes” answers to these questions, the greater the likelihood of a libel lawsuit. As a writer, it's your responsibility to monitor the information you release. Settling a score through your writing may give you momentary pleasure, but the financial and emotional costs of a lawsuit last a lot longer.