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<title>lessons</title>
<link>http://www.writinghood.com/tags/lessons</link>
<description>New posts about lessons</description>
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<title>Do Stories Teach Us Lessons or Are They Just for Entertainment?</title>
<link>http://www.writinghood.com/Literature/Do-Stories-Teach-Us-Lessons-or-Are-They-Just-for-Entertainment.319953</link>
<description>
<![CDATA[<p>The main argument that stories teach us lessons is that almost every story you read, you can find a moral in it, however well hidden. The authors try to surpass some kind of message or point of view through their story, which they want the reader to pick up. Stories based on true stories or problems in our everyday lives frequently contain some kind of message. An example on one of those stories is Lucky Lips. It is a story by Paul Jennings, one of his hilarious humour stories. It is about a boy who at the age of sixteen had not yet been kissed. He resorted to using Ma Scritchet, a witch and her weird magic. He received a lipstick which would make the nearest female kissed him. He tries to manipulate fate by getting kisses and the result that his plans backfired. Once he was kissed by Fay Billing's mother and another he was kissed by a sow, but the moral of this entertaining story is that people should not try to control people beyond their will. The boy also learnt not to manipulate people and so did the reader. This is the same as the boy in Lighthouse blues, where the morals were delivered in a fun story.</p>
<h3>Morals of Lucky Lips</h3>
<p>'What goes around comes around'</p>
<p>'Don't mess with fate'</p>
<p>'Don't do anything you have never tried before'</p>
<p>'Manipulating people has its punishments'</p>
<p>Lighthouse Blues by Paul Jennings is about a boy who travels to an island to become a lighthouse keeper. He hears weird music coming form the lighthouse. He was freaked out by the music, but he fought his fear and managed to stay longer than the other boys who tried. He finally discovered that the things playing the instruments were ghosts that were the ancestors of Stan the lighthouse keeper. The government tries to destroy the lighthouse and put an automatic one in its place, but the ghosts with Stan and the boy manage to scare away the builders and manage to keep the lighthouse safe. The main moral of this story is better hidden than Lucky Lips, but the moral is that you should not do anything until you know how it would affect the other people. This time the builders and the boy learnt the lessons, both learning two totally different things. This story is a story that sounds like a story that would be passed down generations of families, probably if the family have a good connection with lighthouses.</p>
<h3>Other morals in this story</h3>
<p>'Some things are not what you think they are'</p>
<p>'Sinister things are not sinister until you meet them'</p>
<p>'Don't underestimate'</p>
<p>All of the famous myths and legends have some sort of strong moral whether is about the gods or god, or whether is about the creation of the world and the things inside it. Most religious stories have very strong lessons. Very old stories that are passed down from the past generations have lessons. Stories passed on by ancestors most likely have lessons. A good example of stories that have lessons that are very significant and famous is the bible. It is full of stories that have lessons that teach us about life. They teach that sins are evil and that being a good person will be rewarded. A very important lesson in the bible is, "Fair is not that everybody gets the same. Fair is everybody gets what they need." One of the famous stories from the bible is the story when Jesus goes on a voyage with his friends who unluckily run into a fierce storm where the sailors where going to be capsized unless they did something, fast. Jesus changes the weather and the sailors, unlike before; they started believing that Jesus was all powerful, and that he was god's son. They finally believed his lessons and what he said. This story contains a message:</p>
<p>'Don't underestimate'</p>
<p>'Anything is possible'</p>
<p>'One is capable of abilities that you may not know'</p>
<p>All societies in all countries and cultures pass down messages in the form of stories to teach their young to not to do certain things, to make them do the right thing, and not to do the wrong thing. Myths, fables, short stories and legends are all great examples of stories that teach us lessons.</p>
<p>The main argument that stories are for entertainment is that many people read in order not to have lessons. They simply enjoy reading and love to send their imagination in a different world, time, place or situation. People buy books simply because they want a good read. Most stories and books that people would look for are the books that can entertain. Authors write books so that entertain the reader. Authors write for a living. What do people like to buy? Books that entertain. To make money that have to write what the reader likes. If they don't they found themselves without a publisher and without any money.</p>
<p>Famous novels known for their fine writing style and exciting pages are usually for entertainment. Almost every book you come across actually has no moral at all. The amounts of books that have morals are minute to the amount that is purely for entertainment. The most common read genres that are read have no lesson at all, such as fantasy, science fiction, modern action, comics and humour.</p>
<p>For example, the famous Harry Potter series, which most of you would at least know the basic story of, has actually no lesson at all. Most of the people in developed countries have read this world-wide famous book. It is a fantastic fantasy novel that many people enjoy and describe as it as excellent. You find absolutely NO moral in these books, and I can guarantee that the last book won't have one either. Why is J.K Rowling rich? Because people from around the world buy her books for entertainment and a very good read, not to learn lessons.</p>
<p>There are many other world-wide famous series that are enjoyed in many languages and many countries. They all actually have no message at all, and that they are famous for their ability to entertain and take us from the real world, away from all our troubles, into a different world. Some people say that good and evil is a lesson (Like Mrs Owen), but there is no actual evil in the real world. For example, if there is a war between China and America because of satellite destroying, American people would think that the Chinese would be evil, but the Chinese would think that America would be evil as well. So who is evil? Nobody knows. People also think about god and our sins that are evil, but there is no actual proof that God is actually real, so we cannot prove that our sins are evil, as some random person may have created them.</p>
<p>In conclusion, both sides of the argument are both very convincing, and both hold very strong points for why their opinion is right. The arguments for the positive side are more numerous, with the many examples of books and stories and the point that every story at least has a message created by the author. The points for the negative side are stronger with the wide variety of books and genres that are purely for entertainment only. Therefore it is actually up to the readers to decide by themselves, whether the books they read have a message in it or not.</p><a href="http://www.pheedo.com/click.phdo?x=&u=http%3A%2F%2Fwww.writinghood.com%2FLiterature%2FDo-Stories-Teach-Us-Lessons-or-Are-They-Just-for-Entertainment.319953"><img src="http://www.pheedo.com/img.phdo?x=&u=http%3A%2F%2Fwww.writinghood.com%2FLiterature%2FDo-Stories-Teach-Us-Lessons-or-Are-They-Just-for-Entertainment.319953" border="0"/></a>]]></description>
<pubDate>Wed, 29 Oct 2008 05:44:31 PST</pubDate></item>
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<title>Teaching Literature</title>
<link>http://www.writinghood.com/Literature/Teaching-Literature.111415</link>
<description>
<![CDATA[<p>Smith and Hillocks (1988) wrote &amp;ldquo;Sensible Sequencing:  Developing Knowledge about Literature Text by Text&amp;rdquo; to explore the necessity of teaching background information for better comprehension.   They quoted E.D. Hirsch's work that maintains that the reader's own knowledge is essential part of the text.  Smith and Hillocks supports Hirsch assertion but go a step further by adding that there is more to literature comprehension and that includes understanding important concepts, familiarity with genre and using interpretative strategies.</p>
 
<h3>Why is Literature Important?</h3>
 
<p>Literature instruction is a huge part of Language arts.  There are different purposes for teaching literature.  These are:</p>
 
<p>First is the academic or philological tradition.  Second is to preserve traditions, customs or "upbringing".  Third is teaching literature enables the students to read more and express their views openly.  This is especially true in class discussions where students can express their interpretations of the texts based on their experiences.  Fourth, literature also gives the students the chance to understand constructs or words, metaphors, images and plots. This exercise, of course, is instrumental in developing the student's imagination.  Lastly, literature has the power to instruct and provides insight in one's experiences in life especially social order. This is often true in literary works where there are hidden messages implied their texts and the students learn to discover the meaning of what the author tries to portray.</p>
<h3>Literature Circles</h3>
 
<p>Literature circles or groups that allow book discussion are an important part of learning literature.  Literature circles enable the students to own their learning and control it.  The purpose of these groups is to allow students to experience reading the way adults do. First they read a book then they group together and discuss what they read.</p>
 
<p>Literature circles fit a high school curriculum best.  It is important for the students to know what to ask during discussions, how to move forward when they have a standstill in a discussion and others.</p>
 
<p>Choosing the books to read is important in literature circles because this would allow the students to read different genres of books.  A variety of books should be available to students when engage in this activity.</p>
 
<p>Each student should choose a role.  These roles are only necessary to help the students get started. Once they get the hang of it, these roles can be abandoned later on. The workshop then becomes spontaneous.</p>
<h3>Discussion &amp;amp; Spontaneity</h3>
 
<p>Discussions can take place in a number of forms such as lectures, group readings and others. Engaging in discussion enables the students to have deeper awareness and attain learning and motivation so they can make their own views and express them.</p>
 
<p>Discussion takes a lot more than asking questions and letting the students answer. Discussion takes a great deal of emotional content as well intellectual engagement.  The teacher acts as the host, moderator, judge and a number of other roles.  There is uncertainty in how things go because discussion is the art of supervising spontaneity.</p>
 
<p>Discussion and spontaneity must go hand in hand then.</p>
 
<p>Spontaneity can be encouraged if students are allowed to speak their minds without fear f judgment or ridicule. Also, if opposing views are expressed, students must learn to respect others with different views on the matter. They must be made to understand that there is no one way of looking at an issue or solving a problem. There is value in diversity of opinions.</p>
 
<p>Mary M. Kitagawa's article &amp;ldquo;Its About Time to Talk&amp;rdquo; suggests that &amp;ldquo;Literature study conducted by students with restrained adult support is a powerful experience of introspection as well as social discourse&amp;rdquo;.  The teacher primarily remains silent and allows the students' discussion to flow.  The teacher merely supports the students' views of the discussions.</p>
 
<p>Miller (1991) in her work &amp;ldquo;Planning for Spontaneity: Supporting the Language of Thinking&amp;rdquo; talks about the teaching experience of Laura Jackson.  Laura's goal was to make &amp;ldquo;her students to become avid readers who would make sense of all sorts of texts in their world&amp;rdquo;.   Jackson allowed the students to write their responses to readings. This &amp;ldquo;set the stage for spontaneous collaboration&amp;rdquo;.</p>
 
<p>Tapping into their experiences enable the students to develop spontaneous, critical understanding.  Miller states &amp;ldquo;Talking signaled that student response and making connections was central to active reading&amp;rdquo;.</p>
<h3>Asking Questions</h3>
 
<p>Teachers tend to ask questions in the "knowledge" category 80% to 90% of the time. Using higher order level of questions such as those that require much more "brain power" and a more extensive and elaborate answer are important tools to learning and could develop critical thinking among students.</p>
 
<p>Renner (1994) in his book &amp;ldquo;The Art of Teaching Adults: How to Become an Exceptional Instructor and Facilitator mentions a claim made by Scott Parry (1991) that &amp;ldquo;questions are [a teacher's] most valuable tools-for making points, for assessing understanding, for arousing interest, and for testing understanding&amp;rdquo;.  In this book, Renner also discusses Donald Fairbairn's &amp;ldquo;seven deadly sins&amp;rdquo; which are questions that every teacher should refrain from asking because these do not challenge the students to think. These questions include simple "yes-no", multiple, ambiguous, chorus response, leading, ambush, and teacher-pleasing.  The main goal of asking questions should be to develop critical thinking.  Teachers should teach students to think for themselves not just accept whatever is told to them.  Real learning occurs when students are engaged in the thinking process in order to arrive at valid conclusions.</p>
 
<p>Personally, I use asking questions as a method of encouraging participation in classroom. The drawback in this method though is the teacher always ends up answering her/his own questions.  To address this problem, teachers should ask open-ended and questions that do not have definite right or wrong answers.</p>
 
<p>Rogers, Green, and Nussbaum (1988) write in their book &amp;ldquo;Asking Questions about Questions&amp;rdquo;  about the relevance of asking questions inside the classroom.  In the introduction, Rogers et al point out that lessons should go hand in hand with questions in order to encourage discussions between students and teachers.  Discussion lesson is when &amp;ldquo;the teacher involves students in the construction of group knowledge in ways that that build a general disposition to listen to, consider, and be responsive to what others are saying&amp;rdquo;.</p>
<h3>Right Answer</h3>
 
<p>Asking questions is intended to extract the right answer. To some there can only be one right answer. But some questions can have a number of right answers.  If there is not one right answer to the question, students need to be encouraged to express their views even if others have different opinions.  They also need to respect others who have opposing opinions.</p>
 
<p>Teachers in making their lesson plans should consider activities that will make students come up with a variety of solutions to solve a problem.  Instead of giving students step-by-step activities, teachers should allow students to explore with the task as much as she/he can and not search for a predetermined answer.</p>
 
<p>Teachers should not feed students with answers so they will be forced to come up with possibilities to the answer.  Teachers should allow students enough time to think through their answers.  Questions that require a "yes" or "no" answer should be avoided since this will discourage the use of critical thinking.</p>
 
<p>Answers could either be <a href="http://en.wikipedia.org/wiki/Right" target="_blank">right</a> or <a href="http://en.wikipedia.org/wiki/Wrong" target="_blank">wrong</a>. They are wrong if the information is <a href="http://en.wikipedia.org/wiki/False" target="_blank">false</a>. If the information offered is not among the known then it could either be wrong answer or inappropriate answer.  Sometimes "I don't know" is a right answer or "None of the above" and "There is no answer." An answer becomes the right answer, if the information provided is true and within the known alternatives. Questions that require right answers often begin with Who, what, which, where, when, does/do, is/are.</p>
<h3>Open-Ended</h3>
 
<p>Open-ended questions encourage discussion and sharing of ideas as opposed to close-ended questions. For instance:</p>
 
<p>'Do you love your parents?' is a close-ended question because it can be answered by either a yes or no.</p>
 
<p>But the question "How does your parents love you?&amp;rdquo; is an open-ended question because it encourages the student to express his/her opinion.</p>
 
<p>Open-ended questions often begin with "Why" and "How". It requests information from a person to clarify confusions. Here the manner in which the information is presented might be more important than the information provided.  The questioner may have known the answer already and just needs to hear it expressed in another form.</p>
<h3>Form of Classroom Management</h3>
 
<p>Asking questions can be an effective way to manage the classroom.    Asking a question is a good way to gain the students" attention. Gaining attention is important in influencing the students' behavior inside the classroom.  Asking questions is also a good tool to engage the students in a task. It is believed that a good way to maintain student involvement is through task engagement.</p>
 
<p>Attention can be gained through using questions such as "will you please observe silence?" or "do you have your assignments?" Questions can also be used as a prompt as student performs activities. For instance, in teaching grammar, a teacher could ask "What is the present tense of "ran'?'</p>
<h3>Bloom's  Taxonomy</h3>
 
<p>Below are the six question categories as defined by Bloom.</p>
 
<ul>
<li> 
<h4>Knowledge</h4>
 
<ul>
<li> remembering; </li>
 
<li> memorizing; </li>
 
<li> recognizing; </li>
 
<li> recalling identification and </li>
 
<li> recall of information 
     
<ul>
<li> Who, what, when, where, how ...? </li>
 
<li> Describe </li>
 
</ul>
</li>
 
</ul>
</li>
 
<li> 
<h4>Comprehension</h4>
<strong> </strong> 
<ul>
<li> interpreting; </li>
 
<li> translating from one medium to another; </li>
 
<li> describing in one's own words; </li>
 
<li> organization and selection of facts and ideas 
     
<ul>
<li> Retell... </li>
 
</ul>
</li>
 
</ul>
</li>
 
<li> 
<h4>Application</h4>
<strong> </strong> 
<ul>
<li> problem solving; </li>
 
<li> applying information to produce some result; </li>
 
<li> use of facts, rules and principles 
     
<ul>
<li> How is...an example of...? </li>
 
<li> How is...related to...? </li>
 
<li> Why is...significant? </li>
 
</ul>
</li>
 
</ul>
</li>
 
<li>
<h4>Analysis</h4>
 
<ul>
<li> subdividing something to show how it is put together; </li>
 
<li> finding the underlying structure of a communication; </li>
 
<li> identifying motives; </li>
 
<li> separation of a whole into component parts 
     
<ul>
<li> What are the parts or features of...? </li>
 
<li> Classify...according to... </li>
 
<li> Outline/diagram... </li>
 
<li> How does...compare/contrast with...? </li>
 
<li> What evidence can you list for...? </li>
 
</ul>
</li>
 
</ul>
</li>
 
<li>
<h4>Synthesis</h4>
 
<ul>
<li> creating a unique, original product that may be in verbal form or may be a physical object; </li>
 
<li> combination of ideas to form a new whole 
     
<ul>
<li> What would you predict/infer from...? </li>
 
<li> What ideas can you add to...? </li>
 
<li> How would you create/design a new...? </li>
 
<li> What might happen if you combined...? </li>
 
<li> What solutions would you suggest for...? </li>
 
</ul>
</li>
 
</ul>
</li>
 
<li> 
<h4>Evaluation</h4>
 
<ul>
<li> making value decisions about issues; </li>
 
<li> resolving controversies or differences of opinion; </li>
 
<li> development of opinions, judgements or decisions 
     
<ul>
<li> Do you agree...? </li>
 
<li> What do you think about...? </li>
 
<li> What is the most important...? </li>
 
<li> Place the following in order of priority... </li>
 
<li> How would you decide about...? </li>
 
</ul>
</li>
 
</ul>
</li>
 
</ul>
<p>What criteria would you use to assess?</p><a href="http://www.pheedo.com/click.phdo?x=&u=http%3A%2F%2Fwww.writinghood.com%2FLiterature%2FTeaching-Literature.111415"><img src="http://www.pheedo.com/img.phdo?x=&u=http%3A%2F%2Fwww.writinghood.com%2FLiterature%2FTeaching-Literature.111415" border="0"/></a>]]></description>
<pubDate>Sat, 19 Apr 2008 18:16:34 PST</pubDate></item>
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